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Welcome to Re-writing the Future: 100 Years of Esoteric Modernism & Psychoanalysis

Registration is OPEN!

Events will take place over 3 days: Thursday – Saturday, May 30 – June 1, 2019. The first two days proceedings will be held at Schloß Pienzenau & the third and final day will be at  Brunnenburg Castle once the home of Ezra Pound, whose grandson Siegfried de Rachewiltz will be joining us.

The castles are located in the beautiful mountains of Merano, Italy. Due to the location and venue for this conference, there are a very LIMITED number of tickets (weekend passes only). Get your ticket by paypaling 150 euro to

Topics presented include: Poetry as Magic; Futurism & Social Consciousness; True to the Earth and a Pagan Conception of the Self; Shades and Shadows: How Our Unresolved Ancestors and Denied Selves Hold the Keys to Our Collective Liberation; Santa Muerte; On Runes, Chant & Trauma; Psychoanalysis and the freedom of thought: Hilda Doolittle (H.D.); Ezra Pound & the Genius Loci of the Brunnenburg; Spiritual Evolution: for the Masses or for the Few?; Spell in Craft: the Weaving and Forging of a Magical Tradition in Folk & Fairy Tales; The Colonial Crusade against Magical Thinking; True Lies: Towards a Renewal of Mythic Thinking; The Roots of Modern Satanism; Geomancy & the Earthly Zeitgeist; Secret Committees, Collective Beings & the Revolutionary Egregore; Legacy of Antiquity in Texts of Hugo von Hofmannsthal: Ancient Origin of Human Future and Moment of Present Contribution; Spirituality as a Response to Fighting Social Inequality; The Fin-de-siecle Magical Aesthetic of Austin Osman Spare: Siderealism, Atavism, Automatism, Occultism; Pound’s Occultism: the Development of Automatic Writing & Occult Philosophy in the Pisan Cantos; Mantic Staining: Divinatory Paintings of Ithell Colquhoun; Myths of the Near Future: Radicalising Body and Mind; As Within, So Without: The Fin-de-siecle Zeitgeist; Mimetic Techniques & Existential Alchemies in Avant-garde Performance & Therapies; on the Symbiosis of Ezra Pound and James Laughlin; Investigating Initiation: Temple ov Psychick Youth, North America

Speakers include: Carlos Abler, Carl Abrahamsson, Tom Banger, Blanche Barton, Katy Bohinc, Ethan Clarke; Alexander Cummins, John Cussans, Ugo Dossi, Phillip English, Jesse Hathaway Diaz, Per Magnus Johansson, Haukur Jonasson, Kadmus, Langston Kahn, Dorota Kownacka-Rogulska, Koshka, Demetrius Lacroix, Simon Magus, Katrina Makkouk, Stephanie Moran, Kasper Ostrup, Aria Michaels Paradise, Elisabeth Punzi, Siegfried de Rachewiltz, Charlotte Rodgers, Emily Schumacher, Anna Sebastian, Hans-Peter Söder

Join us for this incredible experience! 

Re-writing the Future:
100 years of Esoteric Modernism & Psychoanalysis

A Multi-disciplinary Conference
30 May – 1 June, 2019
Brunnenburg Castle & Schloß Pienzenau, Merano, Italy

In recent times, it has come to light that many revered artists, writers, poets, philosophers and performers have held esoteric world views or underpinnings. Several recent art exhibitions worldwide have highlighted this: Black Light in Barcelona, retrospectives of Leonor Fini and Leonora Carrington in New York and Mexico City, respectively, Mystical Symbolism and the visionary works of Hilma af Klint at the Guggenheim, all in just the past year.

The field of psychoanalysis itself first began as an esoteric discipline – exploring previously uncharted territory with relatively few individuals meeting weekly at the home of Sigmund Freud. Some of Freud’s occult explorations were quite overt, as he conducted thought experiments with his daughter Anna Freud and close colleague Sandor Ferenczi late into his life. Though Freud intentionally steered the public persona of psychoanalysis away from any occult leanings, his personal work with the esoteric went on well into his twilight years. Carl Jung also explored his own psyche in secret for decades as he created his masterpiece The Red Book, which was only discovered after his death and released publicly in recent years.

The Zeitgeist of the time is reflected in a myriad of ways: the innovative writing of T.S. Eliot, James Joyce, Ernest Hemingway; poetry of H.D.; automatic drawings of Austin Osman Spare; spirit drawings of Georgiana Houghton; accidental poems of Tristan Tzara; noise concerts of Luigi Russolo; collages of Hannah Höch; montages of Man Ray; the expressionism of Wassily Kandinsky; and early experimentation with film and photography. W.B. Yeats taught a young Ezra Pound theosophy. Piet Mondrian studied theosophy as well. The surrealists touted the theories of psychoanalysis, exploring dreamwork, automatic writing, synchronicity and chance.

It is notable that so many cultural heavyweights, who are held in such high regard, deemed it necessary to keep their esoteric views and occult explorations hidden from the world. Clearly they felt these ideas would not be acceptable at that time. And they were probably right, as many of those figures who were more open about their views, were often shunned, denied or had aspects of their work ignored outright. It begs the question: why does society accept some aspects of the mind, but not others?

At our current moment of cultural crisis, it makes sense to look back over the past 100 years; to reflect on the cultural Zeitgeist before the First World War – the very same time period and cultural and intellectual epicentres that birthed the field of psychoanalysis, the Dada movement and Der Blaue Reiter. Much like our times, upheaval and change were in the air. The arts and sciences were booming, as was philosophy, media and technology. Interest in theosophy, Eastern philosophies, occult and esoteric belief systems was on the rise. Society’s accepted values and consensus worldview were put into question; the status-quo challenged, refined and reformulated for a modern era.

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